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Louis Janmot
(21 May 1814 - 1 June 1892) was a French painter and poet.
Janmot was born in Lyon of Catholic parents who were deeply religious. He was extremely moved by the death of his brother in 1823 and his sister's in 1829. He became student at the Royal College of Lyon where he met Frederic Ozanam and other followers of his philosophy professor, Abbe Noirot. In 1831 he was admitted to the École des Beaux-Arts de Lyon and a year later, he won the highest honor, the Golden Laurel. In 1833, he came to Paris to take painting lessons from Victor Orsel and Jean-Auguste-Dominique Ingres. With other Lyon painters, he entered the Society of St. Vincent de Paul. In 1835, he went to Rome with Claudius Lavergne, Jean-Baptiste Frenet and other students and met Hippolyte Flandrin.
After his come back to Lyon in 1836, Janmot would attract the attention of critics of the Salon de Paris in conducting large-scale paintings with religious inspiration such as The Resurrection of the son of the widow of Nain (1839) or Christ in Gethsemane (1840). After 1845, he attracted the interest of Charles Baudelaire with his painting Flower of the Fields that allowed him to access to the Salon of 1846. Theophile Gautier was impressed by his Portrait of Lacordaire (1846). But the failure of his Poem of the Soul at the Universal Exhibition of 1855 disappointed him. In December of that year he married Leonie Saint-Paulet, from a noble family in Carpentras.
In 1856, Janmot obtained a commission to paint a fresco (since destroyed) representing the Last Supper for the church of St. Polycarp. Other orders followed, including the decoration of the dome of the Church of St. Francis de Sales and for the town hall that had been renovated by his friend the architect T. Desjardins. He was then appointed professor at the École des Beaux-Arts.
Related Paintings of Louis Janmot :. | Poem of the Soul One evening | The Angel and the Mother | Passage of the soul | Divine generation | Fatherly roof | Related Artists: MENGS, Anton RaphaelGerman Neoclassical Painter, 1728-1779
Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime
Charles Willson Peale1741-1827
Painter and museum founder. After serving as a saddler's apprentice in Annapolis, MD, from 1754 to 1761, he worked at various trades, including painting signs and portraits. In 1766 some prominent Marylanders underwrote his studies in London with Benjamin West, from whom he absorbed the fundamentals of the British portrait tradition. Peale probably attended the informal life classes offered at St Martin's Lane Academy, precursor to the Royal Academy Schools, and drew from casts in the Duke of Richmond's collection in Whitehall. He visited the studios of such important British portrait painters as Joshua Reynolds, Francis Cotes and Allan Ramsay and studied the techniques of miniature painting, sculpture and engraving. In London he executed his first major commission David LudersDavid Luders (1710-1759), German painter
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